Ionesco S Killing Game Gets Too Busy With The Dying
Eugène Ionesco’s Killing Game, first produced in 1970, will always be relevant—which paradoxically explains its dramatic ineffectiveness. It’s set in an unnamed town visited by a vicious, unaccountable plague. Death roams the streets unfettered (personified in this Red Orchid production as a towering, black-clad night terror lumbering purposefully across the stage throughout the evening). As tens of thousands drop without warning every week, the besieged living respond in all-too- familiar ways: blaming the victims for their immorality, carelessness, or ignorance; insisting that wealth, science, religion, or government can save everyone; cowering before authoritarian officialdom or fomenting insurrection against it....